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The Inbetweeners Movie

Teen-Sex Comedies Without Borders could be an NGO, for there is something perversely hopeful in how Ben Palmer's The Inbetweeners Movie slips across b...

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Hello I Must Be Going

We knew from Heavenly Creatures that Kate Winslet had a bright career ahead, but in that film, Melanie Lynskey was the one to watch. Is it possible th...

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The Waiting Room

The mandate at Oakland's Highland Hospital, as one doctor says during Pete Nicks's attentive vérité portrait of the place, is to admit p...

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The Paperboy

Precious director Lee Daniels’s Southern Gothic noir pulp presents itself with the doubtful come-hither hospitality of a gator-filled swamp. Moi...

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Now, Forager: A Film About Love and Fungi

Sulky indie drama might not have been the best path through a story of mushroomers in a troubled marriage; that cheeky and possibly misleading title e...

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The Thieves

Easier to like than it is to follow, Choi Dong-hoon's glossy caper boasts all the pomp and cajolery of the true international blockbuster. It's like s...

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Tai Chi Zero

Give some points to a genre flick whose style mash-up reflects uneasy relations between Asia and the West just as its fracas-intensive plot tries to d...

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Yogawoman

It'd be churlish to describe a documentary about yoga and female fortitude as agitprop, so what then? Tranquiprop? Anyway, Yogawoman clearly is a fan ...

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The Opposite of Vanishing: 'Documentaries by Shôhei Imamura'

The late Japanese New Wave mainstay Shôhei Imamura said he liked his movies messy, and usually that meant seeing through civilized falsities to ...

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Gottfried Helnwein and the Dreaming Child

When the powers behind the 2010 Tel Aviv production of Hanoch Levin's Holocaust opera The Child Dreams sought a designer, it seemed like plain sailing...

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Outside Satan: How Much Grace Can You Take?

"I can't take anymore" is the first thing anyone says in Outside Satan, about 10 mum and mystifying minutes in. Viewers who feel no generosity toward ...

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As Luck Would Have It: By the Numbers

Calming down some from his 2010 gonzo freak-out The Last Circus, Spanish director Álex de la Iglesia teams up with scribe Randy Feldman for a p...

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Welcome to Pine Hill: Is This Real Life?

The story goes that Brooklyn filmmaker Keith Miller took his newly adopted dog for a walk one night and wound up arguing with a stranger, Shannon Har...

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Vanishing Waves Pushes Less Plot, More Sex

For those who found Inception too plotty and sexless, Lithuanian director Kristina Buozyte's sleek sci-fi reverie is hereby advised. One day, a mild-...

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The Reluctant Fundamentalist Follows A Bright Young Man from Princeton to...

In the same way novels can be better and worse than journalism at processing history, so can movies be better and worse than novels: too unreal, yet ...

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Allan Dwan and the Rise and Decline of the Hollywood Studios at MOMA

It's been more than half a century since he last made a movie, and still we keep coming back to Allan Dwan. Fifty years was also the span of his work...

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Georges Simenon's Crimes, at the Anthology

What will people think when they see you reading the New York Review Books reprint of Georges Simenon's novel The Engagement on the subway? That cove...

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Paris Proves It's Good for a Rom-Com or Tragedy in Le Week-End

The great insight in director Roger Michell's fourth collaboration with writer Hanif Kureishi is its vision of Paris as an arena equally amenable to r...

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In Hide Your Smiling Faces, a Dreamlike Drift Over Narrative

Solemnity and restrained naturalism seem like indie-movie affectations now, so the challenge for writer-director Daniel Patrick Carbone's feature debu...

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The Unknown Known: Errol Morris Can't Penetrate the Man Behind Iraq

As its subtitle suggests, one reason Errol Morris's 2003 documentary The Fog of War: Eleven Lessons from the Life of Robert S. McNamara proved so res...

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The M Word, an Unstructured Gabfest Makes a Mess of Midlife Upheaval

A pluralistic personal account of menopause seems like a fine idea for a movie, but was Henry Jaglom the right person to make it? In The M Word, Ja...

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The Warmhearted Supermensch Explores How One Manager Made People Famous

Legend has it that after not cutting it as a probation officer, Shep Gordon dropped some acid and stumbled into Hollywood, whereupon Janis Joplin punc...

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A Summer's Tale Feels Like a Great Beach Read of a Movie

The late New Wave auteur Eric Rohmer equated his films to novels — that's what auteur means, after all — and A Summer's Tale feels like a ...

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Drama Still Life at Least Captures the Misery of Funerals, Bureaucracy, and...

The sad irony of Still Life, with the great English character actor Eddie Marsan as a quiet crusader on behalf of those who die alone, isn't the movie...

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See the Urban Alienation of 1992's Rebels of the Neon God, Now in HD

At the end of Tsai Ming-liang's modestly confident 1992 debut, seen from arm's length and from above, a clutch of sad little phone-dating cubicles loo...

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